Madhu Patel
OCCIDENTAL: The Owsley Stanley Foundation, in partnership with the Ali Akbar College of Music in San Rafael, CA announced the sixth release from Owsley’s storied archive of live concert recordings – Bear’s Sonic Journals: That Which Colors the Mind, a previously unreleased 1970 live concert featuring one of the greatest masters of Indian classical music, Ali Akbar Khan (sarod), accompanied by Indranil Bhattacharya (sitar) and Zakir Hussain (tabla).
The 2-CD set and digital downloads will be available in stores and on the usual digital platforms on December 15th, but pre-release copies will ship as early as November 27th if purchased at www.owsleystanleyfoundation.org
The combination of Stanley, the eccentric genius of concert sound and live recording as well as psychedelics, and Khansahib, a great sarod master of the 20th century, is simply remarkable. Along with Ravi Shankar and his tabla player Allarakha (Zakir Hussain’s father), Khan was a central player in bringing the music of India to audiences around the world.
Ali Akbar Khan was the court musician of the Maharaja of Jodhpur and was identified as a key influence on the Beatles, Grateful Dead, Rolling Stones, and Santana.
This release is one of the most evocative recordings of Ali Akbar Khan from the era, as Owsley’s tapes have an uncanny ability to transport the listener to the room that night. This is the sixth chapter of Bear’s Sonic Journals. Previous titles featured Doc Watson, the Allman Brothers, Jorma Kaukonen & Jack Casady (Hot Tuna), New Riders of the Purple Sage, and Commander Cody & His Lost Planet Airmen.
This album features more than two hours of music from Ali Akbar Khan’s May 29, 1970 live performance at the Family Dog at the Great Highway, San Francisco, CA. The 2-CD set includes original cover art by Chris Gallen, unpublished photographs, and an extensive 28-page booklet with notes featuring new interviews from Ali Akbar Khan’s family and colleagues. The notes explore some of the surprising connections between the Grateful Dead and Ali Akbar Khan, some of Bear’s theories about the impact of Indian classical music on the human central nervous system, and the intense rigor and discipline required to play this music.
It’s been said that Bear’s tapes are like a time machine; this release starts 50 years ago and will take you back 500 years in time, to the origins of a musical tradition that was believed to have the power to heal…or even to harm if misplayed.
The Owsley Stanley Foundation is dedicated to the preservation of “Bear’s Sonic Journals,” Owsley’s archive of more than 1,300 live concert soundboard recordings from the 1960s, 1970s, and 1980s. To learn more, visit the Owsley Stanley Foundation at www.owsleystanleyfoundation.org or on Facebook.
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